13 peer-reviewed articles as first author, 19 in total
3 book chapters as first author
5 edited collections
Peer-reviewed journal articles
19. Hoffmann, A. J., Maran, T. K. & Marin, M. M. (online first). The perspective makes the leader: The camera perspective in a leader photograph shapes their charismatic effect and observers' approval. Journal of Leadership and Organizational Studies. Link to OA article
18. Marin, M. M., & Rathgeber, I. (2022). Darwin’s sexual selection hypothesis revisited: Musicality increases sexual attraction in both sexes. Frontiers in Psychology, 13:971988. Link to OA article
17. Marin, M. M., & Leder, H. (2022). Gaze patterns reveal aesthetic distance while viewing art. Annals of the New York Academy of Sciences, 1541(1), 155-165. Link to OA article
16. Kaisler, R., Marin, M. M., & Leder, H. (2020). Effects of emotional expressions, gaze, and head orientation on person perception in social situations. SAGE Open, 10(3). Link to OA article
15. Marin, M. M., & Leder, H. (2018). Exploring aesthetic experiences of females: Affect-related traits predict complexity and arousal responses to music and affective pictures. Personality and Individual Differences, 125, 80-90.
14. Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2017). Misattribution of musical arousal increases sexual attraction towards opposite-sex faces in females. PLOS ONE, 12(9): e0183531.Link to OA article
13. Ogg, M., Sears, D., Marin, M. M., & McAdams, S. (2017). Psychophysiological indices of music-evoked emotions in musicians. Music Perception, 35(1), 38-59.
12. Marin, M. M., Lampatz, A., Wandl, M., & Leder, H. (2016). Berlyne revisited: Evidence for the multifaceted nature of hedonic tone in the appreciation of paintings and music. Frontiers in Human Neuroscience, 10(536), doi: 10.3389/fnhum.2016.00536.Link to OA article
11. Marin, M. M., & Leder, H. (2016). Effects of presentation duration on measures of complexity in affective environmental scenes and representational paintings. Acta Psychologica, 163, 38-58.
10. Gingras, B., Marin, M. M., Puig-Waldmüller, E. & Fitch, W. T. (2015). The eye is listening: Music-induced arousal and individual differences predict pupillary responses. Frontiers in Human Neuroscience, 9(619), doi: 10.3389/fnhum.2015.00619.Link to OA article
9. Marin, M. M., Thompson, W. F., Gingras, B., & Stewart, L. (2015). Affective evaluation of simultaneous tone combinations in congenital amusia. Neuropsychologia, 78, 207-220.Link to OA article
8. Marin, M. M. (2015). Crossing boundaries: Toward a general model of neuroaesthetics. Frontiers in Human Neuroscience, 9(443), doi: 10.3389/fnhum.2015.00443. Link to OA article
7. Gingras, B., Marin, M. M., & Fitch, W. T. (2014). Beyond intensity: Spectral features effectively predict music-induced subjective arousal. Quarterly Journal of Experimental Psychology, 67(7), 1428-1446.
6. Marin, M. M., & Bhattacharya, J. (2013). Getting into the musical zone: Trait emotional intelligence and amount of practice predict flow in pianists. Frontiers in Psychology / Cognitive Science, 4(853), doi: 10.3389/fpsyg.2013.00853. Link to OA article Among the top 10 most viewed research articles of the "Frontiers in" series in November, 2013
Commentary on this article by N. Srinivasan and B. Gingras, 2014
5. Marin, M. M., & Leder, H. (2013). Examining complexity across domains: Relating subjective and objective measures of affective environmental scenes, paintings and music. PLoS ONE, 8(8), e72412. Link to OA article
4. Thompson, W. F., Marin, M. M., & Stewart, L. (2012). Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis. Proceedings of the National Academy of Sciences USA, 109(49), 19027-19032. Link to OA article
3. Marin, M. M., Gingras, B., & Bhattacharya, J. (2012). Crossmodal transfer of arousal, but not pleasantness, from the musical to the visual domain. Emotion, 12(3), 618-631.
2. Marin, M. M., Gingras, B., & Stewart, L. (2012). Perception of musical timbre in congenital amusia: Categorization, discrimination and short-term memory. Neuropsychologia, 50(3), 367-378.
1. Marin, M. M. (2009). Effects of early musical training on musical and linguistic syntactic abilities. Annals of the New York Academy of Sciences, 1169, 187-190. Download
Book chapters
Marin, M. M. (2020/2022). The role of collative variables in aesthetic experiences. In Nadal, M. & Vartanian, O. (Eds.), The Oxford Handbook of Empirical Aesthetics. Oxford: Oxford University Press. Link to e-Book
Marin, M. M. (2018). Speech processing in congenital amusia: A review of the literature and future directions. In E. M. Luef & M. M. Marin (Eds.), The talking species: Perspectives on the evolutionary, neuronal and cultural foundations of language (pp. 127-165). Graz: Uni-Press Graz. Download
Marin, M. M., & Bhattacharya, J. (2011). Music-induced emotions: Some current issues and cross-modal comparisons. In J. Hermida & M. Ferrero (Eds.). Music education (pp. 1-38), Hauppauge, NY: Nova Science Publishers. Download
Commentaries
Marin, M. M., & Gingras, B. (submitted, invited). It’s all in the sound and in the brain: A comment on Bannan, Dunbar and Bamford 2023. Current Anthropology.
Marin, M. M. (2022). Commentary on Lee and Zaryab:
Does groove really influence sexual selection? Empirical Musicology Review, 17(2), 86-90. Link to OA article
Gingras, B. & Marin, M. M. (2015). Evolutionary considerations on complex emotions and music-induced emotions. Commentary on “The Quartet Theory of Human Emotions: An Integrative and Neurofunctional Model” by S. Koelsch et al. Physics of Life Reviews, 13, 53-54. Download
Edited collections
Luef, E. M., & Marin, M. M. (Eds.). (2018). The talking species: Perspectives on the evolutionary, neuronal and cultural foundations of language. Graz: Uni-Press Graz. Link to e-Book
Marin, M. M., Phillips, M., & Glowinski, D. (Eds.) (2013). Sixth International Conference of Students of Systematic Musicology (SysMus13): Abstracts. Casa Paganini-InfoMus Research Centre, DIBRIS-University of Genoa, Italy. [print, ISBN: 978-88-909096-0-3]
Marin, M. M., Knoche, M., & Parncutt, R. (Eds.) (2008b). First International Conference of Students of Systematic Musicology (SysMus08): Abstracts. Department of Musicology, University of Graz. [print, ISBN: 978-3-9502656-0-6; Internet, ISBN: 978-3-9502656-1-3]
Marin, M. M., Knoche, M., & Parncutt, R. (Eds.) (2008a). First International Conference of Students of Systematic Musicology (SysMus08): Proceedings. Graz: Department of Musicology, University of Graz. [CD-ROM, ISBN: 978-3-9502656-2-0, Internet: ISBN: 978-3-9502656-3-7]
Maimets-Volt, K., Parncutt, R., Marin, M., & Ross J. (Eds.) (2007). CIM07 – 3rd Conference on Interdisciplinary Musicology – Abstracts. Tallinn: Estonian Academy of Music and Theatre.
Conference proceedings
Marin, M. M. (2010). Investigating flow in piano performance. In M. Phillips, S. Knight, T.-C. Rabinowitch & N. Feldman (Eds.), Proceedings of the Third International Conference of Students of Systematic Musicology (SysMus10) (pp. 51-53). Cambridge: Centre for Music and Science, University of Cambridge.
Andrade, P. E., Marin, M. M., & Gingras, B. (2010). Utilizando os mapas auto-organizáveis de Kohonen para investigar as respostas emocionais de crianças brasileiras à música de Wagner. Annals of III Congresso Internacional de Música, Neurociência, Arte e Terapia. Sao Paulo, Brazil.
Marin, M. M. (2009). Chaos and complexity in musical development? In L. Naveda (Ed.), Proceedings of the Second International Conference of Students of Systematic Musicology (SysMus09) (pp. 65-68). Ghent: Institute for Psychoacoustics and Electronic Music, University of Ghent.
Marin, M. M., & Peltzer-Karpf, A. (2009). Towards a dynamic systems approach to the development of language and music: Theoretical foundations and methodological issues. In J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, & P.-S. Eerola (Eds.), Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM 2009) (pp. 284-292). Jyväskylä: University of Jyväskylä.
Parncutt, R., & Marin, M. M. (2006). Emotions and associations evoked by unfamiliar music. In H. Gottesdiener & J.-C. Vilatte (Eds.), Culture and Communication: Proceedings of the International Association of Empirical Aesthetics (pp. 725-729). Avignon: IAEA.
Introductions
Marin, M. M. (2008). A warm welcome to SysMus08! In M. M. Marin, M. Knoche, & R. Parncutt (Eds.), First International Conference of Students of Systematic Musicology (SysMus08): Abstracts (pp. 7-8). Graz: Department of Musicology, University of Graz.
Reports
Marin, M. M., & Turner, G. (2011). Conference Report – Second International Conference of Students of Systematic Musicology (SysMus09). Published online on the Website of the European Society for the Cognitive Sciences of Music (ESCOM).
Theses
Marin, M. M. (2011). Emotion and unfamiliar music: Psychological and psychophysiological responses to Western and Persian music by Western and Persian listeners. Unpublished diploma thesis, University of Graz, Austria. Supervisor: Prof. Richard Parncutt; experiments performed in the laboratory of Prof. Christian Kaernbach during his time in Graz
Marin, M. M. (2009). The role of arousal in cross-modal transfer of musical emotions. Unpublished MSc dissertation, Goldsmiths, University of London, United Kingdom. Supervisor: Prof. Joydeep Bhattacharya
Marin, M. M. (2005). The role of rhythm in similarity judgements of syntactic structures in L2-speakers: An empirical study considering cognitive differences between musicians and non-musicians. Unpublished diploma thesis, University of Graz, Austria. Supervisor: ao. Prof. Annemarie Peltzer-Karpf