Peer-reviewed journal articles

  • 15. Marin, M. M., & Leder, H. (2018). Exploring aesthetic experiences of females: Affect-related traits predict complexity and arousal responses to music and affective pictures. Personality and Individual Differences, 125, 80-90.
  • 14. Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2017). Misattribution of musical arousal increases sexual attraction towards opposite-sex faces in females. PLOS ONE, 12(9): e0183531. Link to OA article
  • 13. Ogg, M., Sears, D., Marin, M. M., & McAdams, S. (2017). Psychophysiological indices of music-evoked emotions in musicians. Music Perception, 35(1), 38-59. Link to virtual issue of Music Perception and OA article
  • 12. Marin, M. M., Lampatz, A., Wandl, M., & Leder, H. (2016). Berlyne revisited: Evidence for the multifaceted nature of hedonic tone in the appreciation of paintings and music. Frontiers in Human Neuroscience, 10(536), doi: 10.3389/fnhum.2016.00536. Link to OA article
  • 11. Marin, M. M., & Leder, H. (2016). Effects of presentation duration on measures of complexity in affective environmental scenes and representational paintings. Acta Psychologica, 163, 38-58.
  • 10. Gingras, B., Marin, M. M., Puig-Waldmüller, E. & Fitch, W. T. (2015). The eye is listening: Music-induced arousal and individual differences predict pupillary responses. Frontiers in Human Neuroscience, 9(619), doi: 10.3389/fnhum.2015.00619. Link to OA article
  • 9. Marin, M. M., Thompson, W. F., Gingras, B., & Stewart, L. (2015). Affective evaluation of simultaneous tone combinations in congenital amusia. Neuropsychologia, 78, 207-220. Link to OA article
  • 8. Marin, M. M. (2015). Crossing boundaries: Toward a general model of neuroaesthetics. Frontiers in Human Neuroscience, 9(443), doi: 10.3389/fnhum.2015.00443. Link to OA article
  • 7. Gingras, B., Marin, M. M., & Fitch, W. T. (2014). Beyond intensity: Spectral features effectively predict music-induced subjective arousal. Quarterly Journal of Experimental Psychology, 67(7), 1428-1446.
  • 6. Marin, M. M., & Bhattacharya, J. (2013). Getting into the musical zone: Trait emotional intelligence and amount of practice predict flow in pianists. Frontiers in Psychology / Cognitive Science, 4(853), doi: 10.3389/fpsyg.2013.00853. Link to OA article
    Among the top 10 most viewed research articles of the "Frontiers in" series in November, 2013
    Commentary on this article by N. Srinivasan and B. Gingras, 2014
  • 5. Marin, M. M., & Leder, H. (2013). Examining complexity across domains: Relating subjective and objective measures of affective environmental scenes, paintings and music. PLoS ONE, 8(8), e72412. Link to OA article
  • 4. Thompson, W. F., Marin, M. M., & Stewart, L. (2012). Reduced sensitivity to emotional prosody in congenital amusia rekindles the musical protolanguage hypothesis. Proceedings of the National Academy of Sciences USA, 109(49), 19027-19032. Link to OA article
  • 3. Marin, M. M., Gingras, B., & Bhattacharya, J. (2012). Crossmodal transfer of arousal, but not pleasantness, from the musical to the visual domain. Emotion, 12(3), 618-631.
  • 2. Marin, M. M., Gingras, B., & Stewart, L. (2012). Perception of musical timbre in congenital amusia: Categorization, discrimination and short-term memory. Neuropsychologia, 50(3), 367-378.
  • 1. Marin, M. M. (2009). Effects of early musical training on musical and linguistic syntactic abilities. Annals of the New York Academy of Sciences, 1169, 187-190.

Book chapters

  • Marin, M. M. (forthcoming). Collative variables. In M. Nadal & O. Vartanian (Eds.), The Oxford Handbook of Empirical Aesthetics. New York: Oxford University Press.
  • Marin, M. M. (2018). Speech processing in congenital amusia: A review of the literature and future directions. In E. M. Luef & M. M. Marin (Eds.), The talking species: Perspectives on the evolutionary, neuronal and cultural foundations of language (pp. 127-165). Graz: Uni-Press Graz.
  • Marin, M. M., & Bhattacharya, J. (2011). Music-induced emotions: Some current issues and cross-modal comparisons. In J. Hermida & M. Ferrero (Eds.). Music education (pp. 1-38), Hauppauge, NY: Nova Science Publishers.

Comments

  • Gingras, B. & Marin, M. M. (2015). Evolutionary considerations on complex emotions and music-induced emotions. Comment on “The Quartet Theory of Human Emotions: An Integrative and Neurofunctional Model” by S. Koelsch et al. Physics of Life Reviews, 13, 53-54.

Edited collections

  • Luef, E. M., & Marin, M. M. (Eds.). (2018). The talking species: Perspectives on the evolutionary, neuronal and cultural foundations of language. Graz: Uni-Press Graz. Link
  • Marin, M. M., Phillips, M., & Glowinski, D. (Eds.) (2013). Sixth International Conference of Students of Systematic Musicology (SysMus13): Abstracts. Casa Paganini-InfoMus Research Centre, DIBRIS-University of Genoa, Italy. [print, ISBN: 978-88-909096-0-3]
  • Marin, M. M., Knoche, M., & Parncutt, R. (Eds.) (2008b). First International Conference of Students of Systematic Musicology (SysMus08): Abstracts. Department of Musicology, University of Graz. [print, ISBN: 978-3-9502656-0-6; Internet, ISBN: 978-3-9502656-1-3]
  • Marin, M. M., Knoche, M., & Parncutt, R. (Eds.) (2008a). First International Conference of Students of Systematic Musicology (SysMus08): Proceedings. Graz: Department of Musicology, University of Graz. [CD-ROM, ISBN: 978-3-9502656-2-0, Internet: ISBN: 978-3-9502656-3-7]
  • Maimets-Volt, K., Parncutt, R., Marin, M., & Ross J. (Eds.) (2007). CIM07 – 3rd Conference on Interdisciplinary Musicology – Abstracts. Tallinn: Estonian Academy of Music and Theatre.

Conference proceedings

  • Marin, M. M. (2010). Investigating flow in piano performance. In M. Phillips, S. Knight, T.-C. Rabinowitch & N. Feldman (Eds.), Proceedings of the Third International Conference of Students of Systematic Musicology (SysMus10) (pp. 51-53). Cambridge: Centre for Music and Science, University of Cambridge.
  • Andrade, P. E., Marin, M. M., & Gingras, B. (2010). Utilizando os mapas auto-organizáveis de Kohonen para investigar as respostas emocionais de crianças brasileiras à música de Wagner. Annals of III Congresso Internacional de Música, Neurociência, Arte e Terapia. Sao Paulo, Brazil.
  • Marin, M. M. (2009). Chaos and complexity in musical development? In L. Naveda (Ed.), Proceedings of the Second International Conference of Students of Systematic Musicology (SysMus09) (pp. 65-68). Ghent: Institute for Psychoacoustics and Electronic Music, University of Ghent.
  • Marin, M. M., & Peltzer-Karpf, A. (2009). Towards a dynamic systems approach to the development of language and music: Theoretical foundations and methodological issues. In J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, & P.-S. Eerola (Eds.), Proceedings of the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM 2009) (pp. 284-292). Jyväskylä: University of Jyväskylä.
  • Parncutt, R., & Marin, M. M. (2006). Emotions and associations evoked by unfamiliar music. In H. Gottesdiener & J.-C. Vilatte (Eds.), Culture and Communication: Proceedings of the International Association of Empirical Aesthetics (pp. 725-729). Avignon: IAEA.

Introductions

  • Marin, M. M. (2008). A warm welcome to SysMus08! In M. M. Marin, M. Knoche, & R. Parncutt (Eds.), First International Conference of Students of Systematic Musicology (SysMus08): Abstracts (pp. 7-8). Graz: Department of Musicology, University of Graz.

Reports

  • Marin, M. M., & Turner, G. (2011). Conference Report – Second International Conference of Students of Systematic Musicology (SysMus09). Published online on the Website of the European Society for the Cognitive Sciences of Music (ESCOM).

Theses

  • Marin, M. M. (2011). Emotion and unfamiliar music: Psychological and psychophysiological responses to Western and Persian music by Western and Persian listeners. Unpublished diploma thesis, University of Graz, Austria.
    Supervisor: Prof. Richard Parncutt; experiments performed in the laboratory of Prof. Christian Kaernbach during his time in Graz
  • Marin, M. M. (2009). The role of arousal in cross-modal transfer of musical emotions. Unpublished MSc dissertation, Goldsmiths, University of London, United Kingdom.
    Supervisor: Prof. Joydeep Bhattacharya
  • Marin, M. M. (2005). The role of rhythm in similarity judgements of syntactic structures in L2-speakers: An empirical study considering cognitive differences between musicians and non-musicians. Unpublished diploma thesis, University of Graz, Austria.
    Supervisor: ao. Prof. Annemarie Peltzer-Karpf

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