Invited presentations at universities

  • 10. Marin, M. M. (2017). Celebrating 10 years of the SysMus conference series. 10th International Conference of Students of Systematic Musicology, Queen Mary University of London (UK), September 13.
  • 9. Marin, M. M. (2017). Flow in music performance: In quest of the autotelic personality among musicians. Institut für Kunst- und Musikwissenschaften, Technische Universität Dresden (Germany), June 27.
  • 8. Marin, M. M., Karaduz, M., & Leder, H. (2015). A comparison of the discrete and dimensional models of emotion in visual arts. New developments in the study of music, emotion and personality, Department of Psychology, University of Innsbruck (Austria), July 1.
  • 7. Marin, M. M. (2014). Flow-Erleben bei MusikerInnen: Gibt es Zusammenhänge mit Persönlichkeit und Erfolg? Institute for Music Sociology, University of Music and Performing Arts (Austria), October 29.
  • 6. Marin, M. M. (2011). Crossmodal transfer of arousal, but not pleasantness, from the musical to the visual domain. Music cognition colloquium, Department of Cognitive Biology, University of Vienna (Austria), July 5.
  • 5. Marin, M. M., & Bhattacharya, J. (2010). The role of arousal in crossmodal transfer of musical emotions. Mini symposium on music cognition, Goldsmiths, University of London (UK), July 6.
  • 4. Marin, M. M. (2008). Current research on emotions induced by music. Research colloquium, Richard Parncutt, Department of Musicology, University of Graz (Austria), May 6.
  • 3. Parncutt, R., & Marin, M. M. (2007). Music, familiarity, interculturality. Department of Psychology, University of Melbourne (Australia) & MARCS Auditory Laboratories, University of Western Sydney (Australia), December 14 & 19.
  • 2. Parncutt, R., & Marin, M. M. (2007). Empirische Untersuchungen zur Wahrnehmung des Eigenen und des Fremden in der Musik. Kolloquium über Ästhetische Erfahrung und Kunstrezeption, Vereinigung für wissenschaftliche Grundlagenforschung und Institut für Philosophie, University of Graz (Austria), November 9.
  • 1. Marin, M. M., Parncutt, R., & Kaernbach, C. (2007). Emotion and unfamiliar music: Psychophysiological and psychological responses to Persian and Western music by Persian and Western listeners. Lab meeting, Stephen McAdams, Schulich School of Music, McGill University, Montreal (Canada), September 10.

Invited presentations at workshops and summer schools

  • 2. Marin, M. M. (2018). Flow in music performance: In quest of the autotelic personality among musicians. Innsbruck goes International Exchange Week (Innsbruck, Austria), May 5.
  • 1. Marin, M. M. (2014). Schöne Musik - Einsichten und Ausblicke der empirischen Ästhetik. Ferienakademie Cusanuswerk: Echt schön? Eine Kritik der ästhetischen Urteilskraft. (Nittendorf, Germany), August 22.

Peer-reviewed conference presentations

Posters, talks & abstracts where no contribution was made to conference proceedings; presentations without peer-review are marked with an asterisk

  • 55. Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2017). How can the experience of music affect sexual attraction in humans (talk, abstract)? SMART Cognitive Science, Workshop: Are we musical animals? Amsterdam (The Netherlands), December 7.
  • 54. Marin, M. M., Graf, T., Gingras, B., Puster, B., & Leder, H. (2017). How does general intelligence predict complexity and liking for Romantic piano music (poster, abstract)? Jahrestagung der Deutschen Gesellschaft für Musikpsychologie, Hamburg (Germany), September 15-17.
  • 53. Marin, M. M., & Leder, H. (2017). Exploring aesthetic experiences of females: Affect-related traits predict complexity and arousal responses to music and affective pictures (talk, abstract). Visual Science of Art Conference (VSAC 2017), Berlin (Germany), August 25-27.
  • 52. Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2017). Music as a key to your heart? Misattribution of musical arousal increases sexual attraction (poster, abstract). International Convention of Psychological Science (ICPS 2017), Vienna (Austria), March 23-25.
  • 51. Marin, M. M., Schober, R., Gingras, B., & Leder, H. (2016). Music as a key to your heart? Effects of music on the perception of facial attractiveness and dating desirability (talk, abstract). Jahrestagung der Deutschen Gesellschaft für Musikpsychologie, Vienna (Austria), September 9-11.
  • 50. Fießinger, P., Beschoner, P., Dommes, L., Bosch, J., Marin, M. M., Stingl, J. C., & Viviani, R. (2016). Neural correlates of subjective preferences and the aesthetic experience of visual art (poster, abstract). Annual Meeting of the Society for NeuroEconomics, August 28-30, Berlin (Germany).
  • 49. Jahrmann, N., Leder, H., & Marin, M. M. (2016). Arousal transfer effects of environmental scenes on self-reported arousal and pleasantness in response to representational paintings (poster, abstract). XIV. Conference of the International Association of Empirical Aesthetics, Vienna (Austria), August 29 - September 1. Poster also presented at VSAC 2017, Berlin (Germany), August 25-27.
  • 48. Marin, M. M., Graf, T., Gingras, B., Puster, B., & Leder, H. (2016). Intelligence, complexity, and liking for Romantic piano music (talk, abstract). XIV. Conference of the International Association of Empirical Aesthetics, Vienna (Austria), August 29 – September 1.
  • 47. Marin, M. M., & Leder, H. (2016). Effects of emotion, complexity and presentation duration on eye movements when viewing environmental scenes and paintings (talk, abstract). Fourth Visual Science of Art Conference, Barcelona (Spain), August 26-27.
  • 46. Gingras, B., Marin, M. M., Puig-Waldmüller, E., & Fitch, W. T. (2016). Acoustical correlates of pupillary responses to Romantic music (talk, abstract). 12. Tagung der Österreichischen Gesellschaft für Psychologie, Innsbruck (Austria), March 31 - April 2.
  • 45. Gingras, B., Marin, M. M., & Eerola, T. (2016). Pupillary responses to musical sounds are modulated by articulation and dynamics (talk, abstract). 12. Tagung der Österreichischen Gesellschaft für Psychologie, Innsbruck (Austria), March 31 - April 2.
  • 44. Marin, M. M., Wandl, M., & Leder, H. (2015). Evidence for the multidimensional nature of hedonic value in the perception of Romantic piano music (talk, abstract). 4th International Conference on Music and Emotion, Geneva (Switzerland), October 12-16. Talk also presented at 12. Tagung der Österreichischen Gesellschaft für Psychologie, Innsbruck (Austria), March 31- April 2, 2016.
  • 43. Guillemin, C., Bremner, A., Marin, M. M., & Gingras, B. (2015). The role of acoustical features in the identification of lullabies across musical cultures (talk, abstract). 4th International Conference on Music and Emotion, Geneva (Switzerland), October 12-16.
  • 42. Popescu, T., Marin, M. M., Cohen Kadosh, R. & Humphreys, G. (2015). Number-space and pitch-space interactions in the numerically impaired brain (talk, abstract). 19th Conference of the European Society of Cognitive Psychology, Paphos (Cyprus), September 17-20.
  • 41. Marin, M. M., & Leder, H. (2015). The emergence of the multidimensionality of visual complexity (poster, abstract). Third Visual Science of Art Conference (VSAC), Liverpool (UK), August 22-23.
  • 40. Kaisler, E., Marin, M. M., & Leder, H. (2015). Effects of gaze and facial expression on eye movements and person judgements in social settings (poster, abstract). XVII. European Conference on Eye Movements (ECEM2015), Vienna (Austria), August 16-21.
  • 39. Huber, E., Leder, H., & Marin, M. M. (2015). In quest of the autotelic personality among professional orchestral musicians (talk, abstract). Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Manchester (UK), August 17-22.
  • 38. Killy, K., Marin, M. M., Silani, G., & Leder, H. (2014). Emotion recognition of faces and music in Asperger Syndrome: A crossmodal priming study (poster, abstract). Seventh International Conference of Students of Systematic Musicology (SysMus14), London (UK), September 18-20.
  • 37. Marin, M. M., Daim, E., & Leder, H. (2014). Predicting subjective complexity by means of objective measures in aesthetic patterns of varying semantic content (poster, abstract). Second Visual Science of Art Conference, Belgrade (Serbia), August 23-24.
  • 36. Marin, M. M., Lüdtke, S. T., & Leder, H. (2014). Crossmodal transfer between emotions induced by music and faces (poster, abstract). The Neurosciences and Music V: Cognitive Stimulation and Rehabilitation, Dijon (France), May 29 - June 1.
  • 35. Gingras, G., Marin, M. M., & Fitch, W. T. (2014). Beyond intensity: Spectral features effectively predict music-induced subjective arousal (poster, abstract). The Neurosciences and Music V: Cognitive Stimulation and Rehabilitation, Dijon (France), May 29 - June 1.
  • 34. Karaduz, M., Marin, M. M., & Leder, H. (2014). A comparison of the discrete and dimensional models of emotion in visual arts (talk, abstract). 11. Tagung der Österreichischen Gesellschaft für Psychologie (ÖGP 2014), Vienna (Austria), April 24-26.
  • 33. Marin, M. M., Lampatz, A., & Leder, H. (2013). Berlyne revisited: Evidence for the multidimensional nature of hedonic value in the perception of visual arts (talk, abstract). Eighteenth Meeting of the European Society for Cognitive Psychology (ESCoP 2013), Budapest (Hungary), August 29 - September 1.
  • 32. Marin, M. M., & Leder, H. (2013). Relating subjective and objective measures of musical complexity in different musical styles (talk, abstract). Biennial Meeting of the Society for Music Perception and Cognition (SMPC 2013), Toronto (Canada), August 8-11.
  • 31. Gingras, B., Marin, M. M., & Fitch, W. T. (2013). Prediciting emotional ratings of amplitude-normalized and original recordings of Romantic piano trios from their acoustical features (talk, abstract). Biennial Meeting of the Society for Music Perception and Cognition (SMPC 2013), Toronto (Canada), August 8-11.
  • 30. Marin, M. M., & Leder, H. (2013). Effects of arousal, pleasantness and complexity on eye movements when viewing natural scenes and paintings (talk, abstract). 55th Conference of Experimental Psychologists (TeaP 2013), Vienna (Austria), March 24-27.
  • 29. Gingras, B., Marin, M. M., & Fitch, W. T. (2013). Linking acoustic parameters to arousal and pleasantness in a set of Romantic piano trios (talk, abstract). 55th Conference of Experimental Psychologists (TeaP 2013), Vienna (Austria), March 24-27.
  • 28. Marin, M. M., & Leder, H. (2012). Relating subjective to objective measures of complexity in affective environmental scenes and representative paintings (talk, abstract). European Conference on Visual Perception (ECVP 2012), Alghero (Italy), September 2-6. Abstract published in Perception, 41 (supplement), 61.
  • 27. Marin, M. M., Thompson, W. F., & Stewart, L. (2012). Emotion perception of dyads and triads in congenital amusia (talk, abstract). 12th International Conference on Music Perception and Cognition (ICMPC) & 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Thessaloniki (Greece), July 23-28.
  • 26. Marin, M. M., & Leder, H. (2012). Zusammenhänge zwischen visueller Komplexität und Wohlgefallen bei der Wahrnehmung realer Umweltszenen und repräsentativer Kunst (poster, abstract). 10. Tagung der Österreichischen Gesellschaft für Psychologie, Graz (Austria), April 12-14.
  • 25. Marin, M. M., & Gingras, B. (2011). Why are specific composers or musical styles more likely to induce flow states in pianists? (talk, abstract) Fourth International Conference of Students of Systematic Musicology (SysMus11), Cologne (Germany), October 5-7.
  • 24. Marin, M. M., & Bhattacharya, J. (2011). Getting into the zone: Trait emotional intelligence predicts flow experience in piano performance (talk, abstract). International Symposium on Performance Science (ISPS 2011), Toronto (Canada), August 24-27.
  • 23. Thompson, W. F., Marin, M. M., & Stewart, L. (2011). Reduced sensitivity to emotional prosody in a group of individuals with congenital amusia (talk, abstract). Biennial Meeting of the Society for Music Perception and Cognition (SMPC 2011), Rochester (USA), August 11-14.
  • 22. Marin, M. M., Gingras, B., & Bhattacharya, J. (2011). Differential effects of arousal and pleasantness in crossmodal emotional transfer from the musical to the complex visual domain (talk, abstract). Bi-annual Meeting of the Society for Music Perception and Cognition (SMPC 2011), Rochester (USA), August 11-14. Talk also presented at the Tagung experimentell arbeitender Psychologen (TeaP) in 2012, Mannheim (Germany), April 1-4.
  • 21. Marin, M. M., Gingras, B., & Stewart, L. (2011). Perception of musical timbre in congenital amusia: Categorization, discrimination and short-term memory (poster, abstract). The Neurosciences and Music IV: Learning and Memory, Edinburgh (UK), June 9-12.
  • 20. Marin, M. M., & Bhattacharya, J. (2011). Modelling flow in piano performance. SysMusDay 2011, Centre for Systematic Musicology, University of Graz (Austria), March 24.
  • 19. Marin, M. M., Gingras, B., & Bhattacharya, J. (2010). Investigating crossmodal emotional transfer from musical to complex visual domains in valence-arousal emotion space (poster, abstract). Mozart & Science 2010 – Musik in Medizin und Therapie, Krems (Austria), November 4-6.
  • 18. Andrade, P. E., Marin, M. M., & Gingras, B. (2010). Using self-organizing Kohonen maps to investigate Brazilian children’s emotional responses to music by Wagner (poster, abstract). Kreativität – Struktur und Emotion: Jahrestagung der Deutschen Gesellschaft für Musikpsychologie und der Gesellschaft für Musiktheorie, Würzburg (Germany), October 7-10.
  • 17. Marin, M. M., & Gingras, B. (2010). Chopin as a “flow composer”? Insights from an interview study with pianists (poster, abstract). Kreativität – Struktur und Emotion: Jahrestagung der Deutschen Gesellschaft für Musikpsychologie und der Gesellschaft für Musiktheorie, Würzburg (Germany), October 7-10.
  • 16. Marin, M. M., & Bhattacharya, J. (2010). Flow in piano performance: Preliminary results of an internet survey investigating some musical and personal factors (talk, abstract). Empirical Musicology II: Empirical Approaches to Performance, Leeds (UK), March 25-26.
  • 15. Marin, M. M., & Bhattacharya, J. (2009). Effects of musical training on subjective emotional responses to Romantic piano music (poster, abstract). British Association of Cognitive Neuroscience Annual Meeting 2009, London (UK), September 21-23.
  • 14. Marin, M. M., Benovoy, M., Ogg, M., & McAdams, S. (2009). Romantic piano music and induced emotions in musicians: Gender affects emotional experience (talk, abstract). International Conference on Music and Emotion 2009, Durham (UK), August 31-September 3.
  • 13. Marin, M. M. (2009). Emotions induced by music: A review of differential effects of gender on psychological and (neuro)physiological responses (poster, abstract). 7th Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM), Jyväskylä (Finland), August 12-16.
  • 12. Marin, M. M. (2008). A cross-cultural approach to emotions evoked by atonal music (talk, abstract). First International Conference of Students of Systematic Musicology (SysMus08), Graz (Austria), November 14-15.
  • 11. Marin, M. M., & Gingras, B. (2008). Basic emotions evoked by familiar and unfamiliar music and their self-organization in the Kohonen neural network (talk, abstract). SEMPRE Student Conference: Music and Science, Cambridge (UK), October 18.
  • 10. Marin, M. M. (2008). Unvertraute Musik und Emotion: Emotionale Reaktionen von westlichen und persischen HörerInnen auf westliche und persische Musik (talk, abstract). Symposium “Junge Musikwissenschaft“ of the Austrian Society for Musicology, Graz (Austria), October 9.
  • 9. Parncutt, R., Dibben, N., Painsi, M., & Marin, M. M. (2008). The professional relevance of music psychology: An internet survey (talk, abstract). 10th International Conference of Music Perception and Cognition, Sapporo (Japan), August 25-29.
  • *8. Peltzer-Karpf, A., & Marin, M. M. (2008). A dynamic systems approach to the development of language and music (poster, abstract). 6th Forum of European Neuroscience, Geneva (Switzerland), July 12-16.
  • 7. Marin, M. M. (2008). Relations between implicit knowledge of Western harmonic tonality and linguistic abilities in pre-school children (talk, abstract). McGill Music Graduate Students’ Society Symposium, Schulich School of Music, McGill University, Montreal (Canada), March 7-9.
  • 6. Marin, M. M., & Parncutt, R. (2007). Pre-schoolers' abstract knowledge of Western harmonic tonality (talk, abstract). The inaugural International Conference on Music Communication Science, Sydney (Australia), December 5-7.
  • 5. Marin, M. M., & Parncutt, R. (2007). Sensitivity to musical emotion: Effects of gender and familiarity (poster, abstract). Evolution of Emotional Communication: From Sounds in Nonhuman Mammals to Speech and Music in Man, Hanover (Germany), September 27-29.
  • 4. Marin, M. M., Parncutt, R., & Kaernbach, C. (2007). Emotion and unfamiliar music: Electrophysiological and psychological responses to Persian and Western music by Persian and Western listeners (talk, abstract). Bi-annual Meeting of the Society for Music Perception and Cognition (SMPC 2007), Montreal (Canada), July 30 - August 3.
  • 3. Marin, M. M., & Peltzer-Karpf, A. (2007). The pooling of syntactic resources in early musical and linguistic development (talk, abstract). Language and Music as Cognitive Systems, Cambridge (UK), May 10-13.
  • *2. Marin, M. M. (2006). Musical training, brain plasticity and ceiling of transfer effects in the auditory L2-domain (poster, abstract). 5th Forum of European Neuroscience, Vienna (Austria), July 8-12.
  • 1. Marin, M. M., & Parncutt, R. (2005). The role of rhythm, syntax and musical training in similarity judgements of series of words and letters (poster). The Neurosciences and Music II: From perception to performance, Leipzig (Germany), May 5-8.

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